Category Archives: Literary

Revolver X Katana: Episode 1 Enter the Eastern Wind

“Ya God damned, yella belly, chiseler!” Michael, the town priest, bellowed at me. “You had cards up yer sleeves the whole game!” By this time, after about two dollars worth of whiskey was in ‘em, I reckoned Michael was full as a tick, and he was just creatin’ a fuss to cover his losses. Unfortunately fer me, his blabberin’ had some truth to it, and the people in this town didn’t much care fer bunko artists. If I was found out, I’d reckon I’d be run straight outta town. However, Michael had garnered a reputation fer shootin’ his mouth when the goin’s got tough fer him in Texas Hold ‘Em.

“Pull in your horns, ya godly drunkard, I ain’t got no cards up my sleeve, and even if I did, I wouldn’t need ‘em. Yer Poker face is about as solid as the crap that comes outta me after I eat the food of this here fine establishment.” The other people in the saloon gotta kick outta that one, even the bartender and the other fellas that I’d done busted outta the game earlier. That was the reaction I needed outta ‘em, I needed to make sure Michael was the joke, and that no one was gonna take ‘em seriously. “Now why don’t you hobble yer lip, and let’s wind up this here match.”

“Shut yer mouth, a swindler like you has no right talkin’ to a man of God like that. I say you got cards up yer sleeve, and I never lie,” Michael claimed.

“If that’s so, then maybe that’s why yer such a deadbeat poker player!”  I joked back. Again, I proved to be makin’ a fool outta Michael; the patrons’ laughter got louder. Michael didn’t much appreciate bein’ the butt of a joke, and the more people laughed the angrier, and stupider, he got. He got up outta his chair and leered at me.

“You think it’s funny, what yer doin’? The lord doesn’t take kindly to those who break his sixth commandment ya goddamned sinner!” Michael hollered at me. I thought to myself how funny it was that most of my loudest opponents in Texas Hold ‘Em were some form of holy men. Like Michael, they all lost their flannel mouths once they started turnin’ up losses while gambling, some I didn’t even swindle before they started runnin’ their mouth’s. Some were heeled and could think of nothin’ better than to draw on me. Since those times I learned to always carry a six shooter, and to spot whether my opponents did the same. Judgin’ from the holster on his right thigh, Michael was lookin’ to be one of those times.

“Well I guess it’s good that I ain’t goin’ to bed with ya, otherwise the Lord himself might have to come down here, and then I’d actually have to fight for my money!” I blasphemed back. The entire saloon was in an uproar of laughter, Michael, the town idiot at the center of it all.

“That’s it! I’ll show ya what cheaters get around here!” hollered Michael, as he began to move his hand towards his holster. Before Michael could even bring his gun up to aim, I had taken my gun outta it’s holster and rested it neat in between my two hands, with my left hand leaning on the hammer. I fired two shots: one shot the gun straight outta Michael’s hand, and the other hit Michael’s hand, makin’ sure he would continue to stay unarmed. The two-bit preacher fell to the ground clutchin’ his holy hand in pain and hollerin’ the Lord’s name in vain.

“Not even a holy man points a gun at me without someone gettin’ hurt. I suggest that you lay off the liquor while playing a hand, yer life just might be a little longer that way.” I grimaced at him. I often times react completely on instinct when I see someone pullin’ a gun, somethin’ of a habit from the service. I learned to defend my life as a second nature, and a threat to my life can give me a bit of a blow-up. Unfortunately, I didn’t need to be causing no ruckus, I needed to quit while’n I was ahead.

As I began thinkin’ about how to weasel my way outta this situation, I looked around and realized the peanut gallery had switched from laughing at Michael’s expense to givin’ me a collective evil eye. I reckoned that my hasslin’ of the priest was all in good fun, but shootin’ him mighta’ pushed my luck.

“You should learn to keep yer trigger finger in check drifter, you can’t just come into a town and shot up our holy man”, said a local. His words struggling to escape from his mouthful of tobacco, causing black lines of spit to run through his knotted, snow white beard, makin’ him look like one of them Zebras. “You’s in a whole heap a’ trouble boy.”

“I say we outta hang ‘em, any man who’d shoot a holy man must surely be of the devil!” accused a small woman, with an eye patch on her left eye, and wrinkles like she was 70, though her hair being a golden blonde got me thinkin’ she was younger.

“I say we beat his pretty little face in, I get first gut punch,” said a towering man as he cracked his hairy knuckles.

“Now, now let’s not be so barbaric,” the town doctor said in a gentle voice. “We have guns for the sake of executions, much quicker and more humane.” At least someone cared.

Shootin’ Michael was not the best idea on my part; as it turns out some people just don’t stand for their Gospel sharps gettin’ shot, even if they are mudsills like Michael. “I reckon I owe y’all an apology, holy men are best to be respected, I agree. My shootin’ this here fine fellow was a simple misunderstandin’ on the part of my reflexes. Ya see, I’m somethin’ of a coward when it comes to guns, I get skittish when folks pull ‘em out. Sometimes it makes me do stupid things like shoot; however, I think we can all just push this incident under the rug, Michael should be just fine. Let’s all remember to turn the other cheek.” My ploy of innocence looked to have calmed my angry mob a bit, even if they were still arguing over how best to tan my hide. However, Michael would not turn his left ass cheek for me.

“My goddamn hand’s bleedin’ out, I’m gonna die! Yaarg! That damn hustler is a liar, a blasphemer, and a sexual deviant! String ‘em up!” I didn’t get a chance to talk back to the angry mob, or to ask Michael how he knew about my sex life. At the order of Michael, the mob of town’s people began comin’ down on me like the mallet of a particularly stupid judge. I began to inch my way back, but too little effect. I was cornered like a rat between the saloon walls and the pissed off town’s folk.

All of the sudden a queer looking guy landed between me and the crowd, he had jumped from the second floor of the saloon.   He landed on all fours facing the crowd as if he were a jungle man, with the wind swishing around his loose clothing. He wore a large, circular hat that appeared to be made of straw, with metal trims on the edge. The hat came to a shallow point, and spread out over his head to about a shoulder’s length from his head, like a parasol.  As he stood up, a foreign character was on the back of his upper clothes, created by a long, snake like design with golden scales, that went over his left shoulder. He had a sheath hanging by the left side of his waist, tied to his side by a cloth belt. He then quickly unsheathed a long, thin blade and pointed it directly at the crowd. “This guy must have a death wish” I thought to myself.
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“I shall deal with this man”, commanded the mysterious stranger in a heavy accent. He then turned around to face me, and stretched his arm out, as if to barricade the crowd from me with his sword. His sleeves were danglin’ lazily off his arms, as if they were made fer a bigger man. His outfit was snow white, with a cut away on his neck, revealin’ much of his chest, and a red, fire shaped trim around the neck and sleeves. The end of the snake design was apparent, it was the creature’s head breathin’ the fire that created the trims. It’s nose made up about half of its narrow face. The other half of its face was covered had thick, fiery, red fur that extended as a narrow line across the top of his body.

“Hey, get the hell outta my way.” The giant started to approach the stranger, crackin’ his fists. The stranger didn’t even turn around; his glance was fer me alone. His eyes were narrow and slanted, he was an Asian man. The Eastern Man didn’t give a continental about the giant’s threat, which seemed to both offend and stun the hard case.

“Please, join me at the table.” The stranger pointed his sword at me, while askin’ me, I guess the “please” was just good manners. I sat down at the same table I played Michael at, with my new “friend” opposite of me.  He sheathed his sword and assumed a distinct posture, placin’ both his hands all neatly in his crotch. “I noticed your skill with that gun.” He liked to be gettin’ straight to the point I could see.

“Anybody coulda’ made that there shot. Michael’s fat arse made himself an easier target than a dead fish in a glass barrel when he got drunk.” The crowd growled like mutts ready to tear me apart. “Uh, not that I took pleasure in shootin’ his hand, no matter how like a dead fish it was.” My attempt at unstirrin’ the ruckus I caused was about as successful as it woulda’ been if I’d done threw a dead fish at ‘em.

“No, you made that shot so quickly, it was barely visible. You wield that gun with the grace of a katana. You hit your precise mark and put your weapon away, before most people can react.” The easterner was flatterin’ me, but oddly he sounded none too impressed. “My name is Hasame, and I have a job for one with your talents.” I had a feeling he was gettin’ around to offerin’ me some fancy job, probably to track some bounty down or kill someone he didn’t like. I was about to stop him there, but Michael did that favor fer me.

“Yer all a bunch of morons! Why haven’t ya’ll killed them yet!” Michael was not about to let our conversation go smoothly. At his hollerin’ the crowd again started inchin’ over to us, but this time I decided to put some fear in ‘em. I shot two bullets directly at the floor in front of the giant, stoppin’ ‘em all dead in their tracks. I can’t stand people who interrupt me.

“Thank you for that.” Hasame continued. “I have great need for an American with your talents, I am . . .”

“Stop right there partner, I ain’t in no mood to be taking on no jobs”. I had absolutely no desire to do any job that required my shootin’ talents, I was just fine drifting from town to town playing poker and relaxin’. I liked to avoid fightin’ when I could, often times I completely outclassed the people who I shot, that of course was if they were even game enough to be more than a yappin’ mutt. A shoot out ain’t no fun if yer targets don’t know the trigger from their trigger finger, and they certainly ain’t worth the bullets, bounty, or pissed off family members.  Hasame took off his hat and gave me a stern glare, as if he was annoyed at being interrupted.

“Tell me, am I correct in assuming that you were in the military?” He gave me a quizzical look, but his eyes had a certain commandin’ look in ‘em, as if he was a law man interrogatin’ a criminal. He quickly glanced at my scar across my eye, and my burn scars on my hands. Fella’ must’ve assumed my time in the service because of my injuries and gun handlin’. Hasame, must be in the military where he’s from, and he must’ve been in it for a good long time to have that keen an eye for battle wear.

“Look china man, that ain’t none of yer business! I told ya, I ain’t takin’ no job’s and that’s all you need to know about me!” This set Hasame’s eyes on fire with anger.

“Insolent commoner, have you absolutely no manners! When two people meet, they honor each other by exchanging names, you have yet to give me your name. You yell at me as if I was an annoying beggar asking for change, and then you refuse my request! Lastly, I am not a man from China, I am Japanese!” I was taken aback by his reaction, manners were obviously very important to this man, but I honestly didn’t care a continental, I still wasn’t goin’ to take his job, and I wanted him offa my back.

“Well partner, don’t you just come in here givin’ orders like you are some eastern city-slicker business man talkin’ to his damn slaves! I don’t want yer job, and I ain’t goin’ to take it, I am fine right where I am.” My fist pounded the table with a loud thud, like a stubborn ass buckin’ an annoying ranch hand.

“By right here, you mean playing your card games, well I don’t think anyone will wish to play you if you cheat.” The crowd came back to their senses from the startlin’ I gave ‘em, and I could feel their eyes on me.

“I ain’t no damn cheater!” Just as I said that, there was a sudden white flash. “I win all my games fair and square and . . .” As I spoke I felt a cool chill on my right arm, as if it was exposed. I looked down and my sleeve was cut open, with my hidden cards spilled out all over the floor.

To Be Continued…

DC Comics: Super-Villains: The Complete Visual History Review

Heroes and villains: two sides of the same coin. Although, one side of that coin is clearly much more important: without villains there could be no heroes, but without heroes, villains would still exist. Look at any battle between good and evil; it’s always the bad guy leading the show. The villain chooses who, what, and when to attack or steal something and the hero just reacts and tries to counter. This chase continues on until one side is ultimately victorious. This isn’t just in comics either. It happens in film, television, books, games, and even wrestling. The bad guys are always the star in these situations. They are the ones dictating where the story goes next, not the hero. That’s why a great villain is important to have, and when it comes to creating an awesome rouge gallery for heroes to fight, DC Comics is definitely one of the best. That brings me to a new book by Daniel Wallace: DC Comics: Super-Villains: The Complete Visual History.

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Even if you don’t read a word of this book, it’s still worth checking out all of the great art. The book is full of the iconic comic covers villains have graced, along with a ton of awesome pictures featuring these characters. The pictures range from the villains’ origins to their current incarnations. Seeing how drastically most of these characters have changed is extremely interesting and is such a great addition—proves my point: comics look so much better nowadays. Also, being able to see how lighthearted most comics were before compared to how serious they all are now is great. Although, admittedly there are some comics now that would benefit from taking themselves less serious, but that’s an argument for another time.

Since I spend most of my time explaining comic origins and story lines to people, the idea of books like Super Villains is much appreciated. Unfortunately, this book suffers from the same problem as others like it: there’s just not enough information about each character. Now I understand you can’t cover every story or appearance of any one villain, but I found myself wondering why so many key moments for these characters were left out and less important moments were included.

There are more DC villains than I can count who are omitted from this book. Sure every bank robber or murderer doesn’t need a page, but I would say Hugo Strange, Amanda Waller, and Paralax all definitely deserve a spot.
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Focus is something this book is really lacking. I can see the ambition here, and it’s admirable. From what I can tell Wallace wanted to include each villain’s history. Not just from the comics, but also from film, television, and games. While the book covers the characters’ notable appearances, you don’t actually get as much info about that character. Instead of talking about every person who has played the Joker, I wish the book focused more on the incredibly messed up things the Joker has done (e.g. how he “created” Oracle). It also would’ve helped if the book focused on either Pre-New 52 or Post-New 52. Instead, we get a mix of both origins for these characters. With the way it’s written, the book reads a lot like a Wiki article and less like the encyclopedia that I was expecting. Considering the lack of focus, the weird mix just makes it even harder to really find out much about these characters beyond (BEYOND!) a few basic points.

Joker

Overall the book is interesting, and while it won’t serve much use to somebody attempting to learn the history of these characters or to someone who already knows the history, it is a great coffee table book. This book has awesome artwork both fans and people who have never read a comic in their lives can flip through and admire, while they wait for you to finish making the chimichangas.

Marvel’s 75th Anniversary Cover Art Book is a Gift to Fans

'Marvel Comics: 75 Years of Cover Art' by Alan Cowsill. It marks the diamond anniversary of the comics giant.
‘Marvel Comics: 75 Years of Cover Art’ by Alan Cowsill. It marks the diamond anniversary of the comics giant.

It’s hard to believe Marvel Comics—originally called Timely Comics—is 75 years old now. To celebrate this diamond anniversary, DK has released Marvel Comics: 75 Years of Cover Art by Alan Cowsill. This massive coffee table book chronicles the history of the comic book company’s iconic covers from Marvel Comics #1 in October 1939 to the latest issues of Amazing Spider-Man.

Like many such books, 75 Years of Cover Art is light on text and heavy on art. It features a forward by Adi Granov, the artist best known for his work on Iron Man: Extremis, and a short introduction by Cowsill. There are short spotlight articles on key artists in Marvel’s history, like Jack Kirby and Steve Ditko, outlining their unique styles and their contributions to the medium. Beyond those, the text is mostly limited to sidebars describing the over 300 pages of cover artworks. It makes for easy perusing and reading. It’s an art book, after all, so the focus should be on the art itself.

“True Believers”—as Stan Lee calls Marvel’s readers—will be delighted that most of the company’s important and iconic covers are included and discussed, but it doesn’t focus on them only. There are plenty of excellent though lesser-known covers included, most by famous artists. For instance, did you know Frank Miller drew a few covers for Spider-Man comics before his legendary run on Daredevil in the early 1980s? Or that Todd McFarlane drew a few X-Men covers before creating Venom? Those are included.

75 Years of Cover Art is a well-organized book. It’s divided into four eras: golden age (1938-1956), silver age (1956-1970), bronze age (1970-1986), and modern age (1986-present). Some readers may disagree on those labels, but for the most part it is an accurate division. The sizes of the covers vary throughout. Most are as big as a toaster pastry, but the more significant ones take up entire pages. In fact, a few are shown in close-up on two-page spreads, making for beautiful, eye-catching displays. Reference notes in the text make it easy to compare different covers throughout the book. It notes important events in comic history, such as the unfortunate publication of Seduction of the Innocent, so as to explain the context and significance of the artwork. It’s also quick to mention which books influenced Marvel’s films later.

As an added bonus, the book comes with prints of Amazing Fantasy #15 by Jack Kirby and Iron Man #1 by Adi Granov. These are tucked away in a pouch on the inside front cover.

While well-organized, the structure of each section is a little confusing at first, especially once the reader gets past the golden age chapter. The artwork is arranged chronologically by series. For example, it will display all the Avengers covers for that era for five or six pages and then switch to Spider-Man covers and so on. To compound matters, the silver age section doesn’t start with Fantastic Four #1 despite that being the official start of the Marvel Universe, which may confuse longtime Marvel readers. This makes the dates of the discussed covers jump around a lot.
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A few significant artists like Frank Miller and Todd McFarlane don’t have mini-articles spotlighting them. It can’t be because they’ve done work for other companies since most of the artists the book spotlights have done that also. It’s also strange that the newer eras have fewer artists spotlighted. Now, this may be due to their work not facing the test of time yet, but one would expect they would be spotlighted as a significant talent in today’s comics. (Oh, well. At least it didn’t include any covers by Rob Liefeld.)

The book has a few pretentious moments, such as calling the cover art for Marvel Comics #1 the “most important cover of all time” (implying that because it is the first comic published by Marvel it has to be the most important). Although, this could be taken as Stan Lee-style hyperbole.

Despite these hiccups, Marvel Comics: 75 Years of Cover Art is a must-have book that will leave even casual Marvel readers exclaiming, “Excelsior!”

Final Grade: A-

 

Humble Beginnings, Incredible Writing: A Review of Joss Whedon: The Biography

I’ve been a part of the Marvel movie craze since Spiderman (2002). However, when Ironman hit theaters, everything changed. Beloved heroes, clad in armor and suits, felt real and relatable. They were no longer just people with super powers; they became people with super powers.

Those movies built up to The Avengers, one of my favorite movies of all time. The Avengers was the first movie I attached Joss Whedon to, even though I had seen some of his work prior, I never made the connection. The excitement leading up to that movie carried a lot of pressure, so I paid more attention to the name of the man responsible for giving that experience to the world and to me.  Needless to say, The Avengers is a great movie and I was blown away. What struck me most was the team dynamics and the humor. I’ve never laughed so hard at a movie, nor thought that hard about what it takes to have a team of heroes, each with their own strengths and problems, fight an overwhelming force. Whedon’s name quickly became sacred amongst my group of friends.

Loki was especially floored by Whedon's work...
Loki was especially floored by Whedon’s work…

Recently I was given the chance to read about how Whedon came to be in Joss Whedon: The Biography, written by Amy Pascale. I never knew just how many things Whedon has been involved with. Looking back on it though, the lines he penned are the ones that always stick out. Apparently I’ve always been a fan of his writing.

Cover of Joss Whedon Bio

The book starts where any biography should, Whedon’s childhood and the lives of his parents and grandparents. It’s interesting to see that writing for entertainment has been in the family for several generations. Their love of classical theater permeated through the household. It must have been quite the show just living in that house.

As a child, Whedon was beat up and picked on. Instead of writing a sap story, Pascale shows how Whedon used these challenges to drive his writing. Whedon confronts his oppressors, including networks and political figures. This, combined with Shakespeare and Feminism created one of the best creators of our time.

I’m probably one of the few English graduates to proudly claim that I hate reading Shakespeare. Truly, it drives me nuts; however, I’ve always respected him and loved what people make of his material. I love creative spins of Macbeth and the anime of Romeo X Juliet, so I found it funny that Whedon came from a family that regularly celebrated and performed Shakespeare. Of course, one of the greatest theatrical writers of the decade was influenced by the greatest author of history, right? Seems like common sense, but where Whedon differs and is strengthened by is his love of super heroes. Flipping the horror genre on its head, Whedon created an icon of television, Buffy.

Slayer battle in comic form? Check.
Slayer battle in comic form? Check.

Buffy the Vampire Slayer honestly wasn’t that interesting to me during the time of its reign. I always knew about it and what was going on, but I never stopped to watch. Little did I know of the dynamics at work. Whedon loves low-budget horror movies and always wanted to see the blonde in the alley beat the monster to a bleeding pulp. This in turn, at least I think so, led to even more powerful female characters in pop culture. I’m pretty sure the Blood series starring Saya, one of my favorite anime shows, came from Buffy.

Hello monster! Meet schoolgirl with sword.
Hello monster! Meet schoolgirl with sword.

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As a writer myself, I can’t imagine what it’s like to have something cancelled. It’s a shame when such a great work is torn down, just because it isn’t making enough money. These moments in the book are filled with anger, sadness, and redemption, not just from Whedon, but from his whole team.

Lucky for the fans, Whedon and Mutant Enemy never gave up on his characters and did everything they could to make sure the story was complete. It wasn’t just entertainment. A Whedon production finds moral change for the characters or comments on something more. He often calls this finding the Buffy of it, or the Angel of it. On the surface, Buffy may just be fighting a giant snake, but how does that affect her character? Similar questions are what drive his shows and movies to a wonderful effect.

Bring me a pony and a plastic rocket.
Bring me a pony and a plastic rocket.

While Whedon’s life is an inspiration to me, I have to give superior props to Amy Pascale for putting it all in ink. The biography seems so natural, as if she had witnessed his life from the beginning, not as some omniscient being looking in, but as someone walking on his level. Through this book, I get a glimpse of who this awesome writer is as a person. I felt his pain with Firefly’s cancellation and rejoiced with Serenity. I’ve never seen the show or the movie, yet I was moved nonetheless. I have a renewed interest, more insight, and a deeper respect for Whedon and the people working their butts off to create top quality entertainment. I can’t say that about a lot of writers, dead or alive.

It’s amazing to know that someone as talented as Whedon came from being that weird little kid tucked away with his X-Men comics. Geeks are usually beaten up and made fun of throughout our lives, but that just makes them stronger and defiant. In the darkest times come the greatest imaginations. Whedon never gave up on his heroes and his fans will never give up on him. The journey of being a creator is fraught with peril, but its the fight that shows just what kind of person one can be. Everyone is capable of greatness.

angel-comic

In a world where nothing matters, all that matters is what we do.

Joss Whedon: The Biography is obviously going to be rejoiced over by the fans, but I also think that just reading about him will create new ones. Personally, I’ve been scouring video stores for Firefly, counting the days till Age of Ultron, and blasting away at my keyboard with my own ideas, but that’s just me.

 

 

More Than Just a Female Superman: Wonder Woman Unbound Review

wonder-woman-unbound-coverWhen I was in middle school, I would come home every afternoon and watch Wonder Woman on the (at the time) Sci-Fi channel. Lynda Carter was/is amazing to me and I looked up to her and Wonder Woman. Outside of that memory and watching her on the Justice League animated TV series, I’ve realized I don’t know much about Wonder Woman or the ups and downs she has gone through in the past 70 years. Everyone knows her as the most iconic female superhero, but not many know anymore beyond that.

Reading Wonder Woman Unbound: The Curious History of the World’s Most Famous Heroine made me feel a little ashamed for declaring Wonder Woman my favorite superhero without even knowing her history. Tim Hanley does an amazing job of delving into Wonder Woman’s past and revealing every fail, rewrite, and flip flop her creators have put her through, leaving her in a limbo that seems will never end.

Before I started reading, I expected the book to be a regurgitation of Wonder Woman’s history. (Honestly, that would have been fine with me since I knew very little about her comics in the first place.) Instead, Wonder Woman Unbound tells not only Wonder Woman’s history, but also analyzes and examines her creators and their motives (was William Moulton Marston a voice for women or just a big horndog?), other comics (compared to Wonder Woman’s), the readers, feminism, and even the time periods (Golden Age, Silver Age, etc.) all comics went through. Lois Lane, Batgirl, and a few other female superheros (and villains) make an appearance to compare their struggles and achievements with Wonder Woman’s—there are major differences, especially during the Silver Age. There is even a section in the middle of the book filled with pictures of Wonder Woman (and other things) through the years.

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Reading this history book makes me sad for Wonder Woman. To see her go through so much only to be almost tossed to the side and treated as an afterthought is heartbreaking. Wonder Woman has so much to offer if someone would take the time to work with her—she definitely deserves it.

For someone who knows very little about comics and their history, this book is a great starting point. Wonder Woman Unbound is a perfect testament to Wonder Woman’s life. Hanley packs as much information into this book as possible rather than gloss over or ignore aspects of her history. I love this book and am grateful for Hanley’s thorough and extensive look into Wonder Woman and her curious history.