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Comic Book Review: Calico

CALICO ISSUE #1
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Welcome back GiGa Community; as you all know, at fifteen years old, in 1992, I had an opportunity and pleasure of interning at Marvel Comics in Manhattan, New York; Spider-man office to be exact.  It was during that year that I had delved into the comic book industry, soaking it all in, down to my very fabric of my soul.  I loved all of the intellectual properties, their stories, and the craft; I knew I wanted Comics to be a part of my future life story.   I was a fan of some characters, and ambivalent to others, but never the less, just like family I loved them all (Some more than others of course); the environment moved my soul.  To this day, I still find being an artist to be one of my first loves, and comic books satisfied that yearning.  The culmination of efforts between a writer, penciler, inker, letterer, colorist, and editor was to me, an amalgamation of geniuses at work.  I love and respect the craft.

GiGa: GeekMagazine was contacted by Sigma Comics asking for an honest review of their newly released comic series, Calico.  I was unsure of who this new IP was that was entering the competitive arena, so I did superficial research, watched an interview, and a review; it seemed to be worth the read.   The first complimentary comic came and as busy as I am, I opened it and felt the cover art seemed acceptable for a comic book in 2021, but I didn’t have a peaceful undisturbed moment to read it, so I left it on my desk to be ready for the day I found a free opportunity to read it, then write a review.  My family and I left the house for a few hours, and when I returned I went straight to my office and hadn’t realized the comic was no longer on my desk.  A few seconds after I sat down, my daughter calls me, “Papi, look what Ivi did”!

Ivi Snow knew She really did it this time.

Ivi Snow is one of my two white German Shepherds, she is 1½ years old, so I am accustomed to finding “surprises” when we come back home; I thought it was poop again. A minute later my daughter comes to my office holding my complimentary issue of Calico in shreds.  Needless to say I was peeved and Ivi knew it. Then I remembered what the premise of the comic was.  “NYC HAS A NEW ANTIHERO. Every day millions of animals are abused and killed. Animal rights groups and charities try to help, yet the savagery continues.”  Sigma Comics appears to be committed to fighting animal abuse. I laughed at the irony of this moment and took a picture of her with the destroyed comic, apparently, she enjoyed the comic.  I couldn’t read it, as a substantial part of the first few pages were now gone.  With that above picture attached to an email to Sigma comics, I humbly apologized and requested another review copy, I was willing to pay for it at this point, but the great people at Sigma found humor in the event as well and sent me another.
When the next copy arrived I kept it in my safe this time, and that night when I was done with work, I read it before I went to bed.  I opened the cover and this time, I was able to really absorb the content.   I applauded the first impression, it was transparent in showing their allegiance to the cause, “American Humane”, as a parent to two German Shepherds, I was sold. 

The first page was gripping, showing an example of the atrocities committed upon animals and the visualization was almost too tough to bear, but I was roped in, I had to read on.  We get our first glimpse into the soul of our Anti-Hero on page two, with tears running from angry eyes, the penciler, inker, and colorist nailed the conviction this character was driven by, and we’re then introduced to Calico “A one-man arsenal of destruction in constant pursuit of justice for the smallest and weakest among us…” 

In his apartment he works his frustration on a double end bag, his thoughts speak poignant commentary as to the nature of life being nothing but conflict in every facet of existence and we see where his psychological state dwells; he’s scared and/or resentful of life and bitterly expresses this in his own twisted way.  The Boxing Gym advertisement on page 5 could easily be dismissed as fictitious until a little research clarified that it is indeed a real business; as an ex-fighter boxer, martial artist, and ex-body guard myself, I respected that blurring between fantasy and reality as it was perfectly in line with the tale that I was uploading to my brain.

The writer then takes the reader on a journey through the life of Calico, recalling childhood memories of being bullied.  This alludes to post traumatic damage; he hates bullies and had long since made the decision to suffer them no longer.  We next accompany the protagonist from his apartment to a local boxing gym where he trains and prepares for an upcoming tournament, and while there, he loses himself in the art of combat.  His thoughts become louder than spoken words; he’s a fighter with unfortunate luck, struggling skill, and lots of animosity.  Here is where the reader learns this character has no reservation about the thought of condemning the abuser to death and that animals were his only friends since his youth.

Page 8 we’re given a full frontal nude of the hero in the shower after leaving the gym, even in the shower he’s consumed by antipathy as conveyed by more flashbacks of the same bully from his youth; he’s never recovered from those years.  This memory was different, ironically, it was in this recollection where he was impressed by an alley-cat that scared off the bully and his dog, which serves as a perfect transition into revealing his super-hero outfit emblazoned with a black cat’s profile in front of what appears to be a moon.  He also has a flying robotic AI assistant named Bumble that is a metallic sphere with one camera eye. Then, we’re back to his childhood memories, this time he evokes the very first time he inflicted pain by punching that bully in the face before fleeing the scene.  Page 13 is where things escalate quickly, so I won’t spoil it for interested readers.

So here’s my honest review and rating:

  • Comic book Production:  
    I feel the writing could have been more impacting and/or expansive; a name would have been nice to have, but it served its purpose; The art is what communicated the story the most.  Lettering was great, the penciling and inking were acceptable as well, but gets a little hard to understand what’s happening during the murder scene.   
  • The Character:
    His real name is never revealed, but from how Calico was insultingly called a “Dominican York” translated from Spanish, he is likely Latino. I think the character is less anti-hero and more of a deranged, sociopathic, villain with post-traumatic stress. He’s fed a list of targets by an unknown accomplice, he intends to kill, (and/or violate) which to me is the modus operandi of a serial killer. I couldn’t see the word “Hero” being applicable to this guy in anyway.
  • The full frontal nude, to me, was unnecessary, but being a student at the Art Institute of Atlanta I’ve drawn male nudes before, so I respect the art, 100%.  That scene only became awkward after the second penis comment. Which helped me to get a better understanding  of the mind of the protagonist as portrayed and communicated by the writer. I think the outfit really is too similar to Black Panther.
  • As per the multiple male phallus related comments and insults, along with, what I found to be excessive homo-erotic language, it seemed in my humble opinion, as if there’s other unresolved issues besides being bullied that Calico has never addressed.   In one scene, I had to look at one scene under better light to understand that Calico actually violates or rapes his victim with a red hot pipe, all while making references to size; he says to his victim, “Relax! It’s only one-inch thick pipe. In penis size its only four-inch girth. You got this”.  the last unnecessary thing I read that really nailed the coffin shut for me was the statement, “F*** em. Hard. in the @ss. With no vaseline”.
  • Concept:
    I personally, don’t think the character could have longevity, and if so possibly as a novelty act; appropriate for an 8-Issue Series. He possibly may develop a fan base, but with a very niche market.  He is not a “Deadpool” type of anti-hero, I’d say this brooding character is damaged psychologically which easily could bleed over into villainy. I couldn’t see the Dark Knight tolerating this character, or working with him in any way, and would probably bring him to justice.  In comparison to other anti-heroes, such as Hulk, Ghost Rider, Blade, or the Punisher, I’d say even Frank Castle wouldn’t see his motivations, means, or ends as acceptable.  I see a more deviant sociopathic “Joker” kind of weirdness from Calico minus the smiles and laughing.

Conclusion:  It’s a comic book, it fits the criteria. I wasn’t left feeling like I want to read more, but I am only one man, with one opinion worth 2 cents.  I endeavor to say it could have been written for a broader appeal to a wider audience; for me, I feel the niche-aspect will leave some put off or uninterested.  But somehow, I’m sure this will pull the targeted audience it was meant for.  In the end, Sigma successfully this debut is a great accomplishment for the creators and production team and for that I salute and respect their creative vision, hard work, and love for the craft. 

I’d give it 3 out 5 Stars
?????

~Jack~

Image Sources:
> https://sigmacomics.com/wp-content/uploads/2020/09/sigma-comics-large.jpg
> https://prnewswire2-a.akamaihd.net/p/1893751/sp/189375100/thumbnail/entry_id/1_gapzb7c1/def_height/800/def_width/520/version/100011/type/1

ARTIST ALLEY: NS Kane

Kane cosplaying as Batwoman. Picture by George Wong
Kane cosplaying as Batwoman. Picture by George Wong

Sitting in a darkened room, with the sounds of Shrek creeping through a wooden door in Sydney, NS Kane is typing away at a keyboard, plotting  a plot. New to comics, she is an aspiring writer from the Land Down Under and is hoping to become another Australia comic-success story, following in the foot steps of people like Tom Taylor (Injustice: Gods Among Us) and Nicola Scott (Black Magick).

Pages of Seamstress comic
Seamstress

What is your current project?

The project is called Seamstress, and it’s about two seamstresses who work for both heroes and villains in their world, creating the famous outfits that they wear.

What inspired you to work in comics?

Actually my partner Kate did since she is an actual seamstress in her spare time. When I was sitting in my lounge with a friend, he turned around while watching her run back and forth carrying cups of coffee and said “you are a human sewing machine that runs on coffee.” At that moment I bolted to the computer and started writing, two years later Polli and Cassi were born.

What is the piece you are most proud of?

Well I love my Seamstress very very much but I’m equally as proud of my next project coming up called Toxicity, which is outside my comfort zone, but challenges me as a writer to really think outside the box.

Who is your dream team to work on a comic with?

Greg Rucka, JH Williams, Dan Mora, Blond the colourist, Rex Locus, Nicola Scott, Marguerite Sauvage, Stjepan Šejić, Ivan Reis, Joe Prado. Lol and that’s just for a start!

What is a typical day in the life of you when working on comics?

Well I go to work, whine for half the day that I’m not writing comics, then I find a few minutes to jot down a rough outline of my ideas for either a plot line or a 22 page issue. Then I usually come home and start loading the notes into a pretty format that looks cleaner before I realize I have made so many spelling mistake and spend the rest of the night cleaning them up.

nyteowl comic cover
Nyteowl: written by NS Kane

How long does it take to do a single issue script?

Depends on the script, sometimes I’m not feeling the mojo and it takes weeks, and sometimes it could take me less than three hours to knock out the script. But nothing is perfect, so I like to usually take a week to have some time to read then re-read it making sure everything is sitting right.

What is the process?

Usually loads of coffee is a good start, but I don’t do anything without music, it’s definitely a must for me to be in the writing mood. Then I sit down with my templated format and my rough plan to start writing away.

Who are your inspirations?

Greg Rucka is my biggest inspiration followed by Michael Alan Nelson and Tom Taylor. All these men really do give me hope that you can do what you dream, that you can write what you want and that even being from Australia will not limit you to reach the biggest comic companies across the world.

What is your dream project?

To write for Batwoman. That’s my biggest goal in my life, since she started me on this comic journey, and she is where I want to be. I want to give her a new life and the passion that she restored back to me.

art by NSkane
Red: Caution

If you could pick anyone to act as your mentor, who would it be?

GREG RUCKA!!!! Yes if he would put up with my annoying pestering every five seconds I would love to have him, if only for a few hours, to give me that nudge in the right direction.

Have you done anything at a convention, as in had a table in artist alley or a booth or been a guest?

Not yet, but it’s still early days for me so I’m hoping to debut Seamstress next year down here in Australia.

Have people ever cosplayed your work?

Unfortunately, no. Though I hear down the grape vine that something might be in the works! But it would be amazing to see any of my works come to life.

How has the industry changed since you first started?

Since I found comics a few years ago, the industry has exploded with talent, so I’m really excited to be in the thick of it right at this moment now.

How do you feel about the change to mainstream thanks to shows like The Big Bang Theory and the movies now in the cinema like Spider-Man and Batman vs Superman?

Well those shows have opened the world of comics up from being a child’s interest to a more adult scene. It’s nice to see people my age embracing this fantasy world and becoming more involved in it letting their inner child break free.

Tell us about Polli and Cassi:

polli
Polli: Seamstress

Polli is a unique individual with light pink bubble gum hair. She only wears the latest fashion styles when she’s not doing business. Usually found in a sleek, seductive dress, she is the epitome of rich snob and knows it. With the cover of running a fashion house and magazine, Polli has no qualms about flaunting her decadence for the world to see, hiding in plain sight. But it is [that] confident high from her creations in front of the villain’s that boosts her thrill factor, having them only come back for more despite her rather unpredictable temper. Polli also has a quirk which is a considerable addiction to coffee.

cassi
Cassi: Seamstress

Cassi, on the other hand, is a recluse. Only leaving her ‘Nook’ when she must, Cassi is usually found wondering around her hidden studio in just a baggy T-shirt and her underwear. She mostly avoids contact with her clients and all people in general, preferring to spend her time with machines more than man. A complete contradiction to her twin, Cassi is humble and caring with a stubborn sense of pride for her work. Cassi doesn’t care much for fashion and has a cheeky attitude that winds her sister up every time the topic is spoken of. Cassi also has a quirk which is a significant addiction to soda.

How long are you looking to have this series running?

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What is your favourite moment in what you have written so far?

Oooo, that’s a tough one, I have so many moments in each series I don’t think I can choose but one of my most heart wrenching is in a future issue of Toxicity when the main character Synner has to say goodbye to someone she loves, I cried while writing it and I still cry each time I read it.

Anything extra you would like to share:

The Kickstarter for Seamstress is running currently to fund the series. It’s been a long journey to get the book up and running and I just hope that people enjoy the rewards on offer as well as the story I want to bring to the world.

Fun time:

 Who is your favourite comic book character?

BATWOMAN!! Everyone  knows this!

Who is your favourite author (books)?

Mikhail Bulgakov

What is your favourite movie?

My go to movie is Spirted Away

What is your favourite band/music artist?

Heavy metal, give me anything with drums, guitar and screaming.

What is a quirk you have (like dipping fries into chocolate Sunday)?

List making, lord I have a list for everything I even have lists for lists.

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Synner: Toxicity

 Pick-

Day or night

 Night

Star trek or Star Wars 

Oooo damn you. Star Trek if it has Janeway

Coffee or tea 

Coffee

Summer or winter 

Winter

Cats or dogs 

Dogs

Batman or Superman 

duh Batman!

Movies or a book 

Movies

Pizza or Burgers 

Burgers

Coke or Pepsi 

Pepsi if I could drink it, lol

For those wanting to see more of NS Kane’s work you can find her on Facebook, Twitter  and the Kickstarter for Seamstress

Next issue release date of current project: January 2016

ARTIST ALLEY: Taylor Esposito

Taylor Esposito
Taylor Esposito

When most people think of comics, they think of the writers, the artists, the covers and the colors. More often than not, there is still a team vital to a comic that is not  remembered. One of these is the Letterer, without whom there would be nothing to read. I decided to have an interview with a Letterer that everyone spoke so kindly of and that is Taylor Esposito.

What exactly is a letterer?

A letterer is the person who puts the dialogue, sfx, captions, titles and credits and other typographical elements onto the comic page. It’s their job to get the writer’s words on the page while preserving as much of the artist’s vision/work as possible. Arguably more important than coloring, in that you don’t necessarily need colors for a comic, but all comics need letters, otherwise it’s just pretty pictures.

What is your current project?

Zenescope Grimm Fairy Tales, Heavy Metal Interceptor and Narcopolis, Gamer Girl and Vixen; more to be announced

What inspired you to become a letterer?

I always had a love for comics, and after randomly ending up at Marvel out of college and seeing them made, I knew it was something I could and wanted to do.

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How did you get into lettering as a profession?

After getting laid off from Marvel in 2011, I needed a new job, and I had always talked about lettering comics, so with my wife backing me up, I started freelance lettering comics, which eventually led to a staff lettering job at DC, until the move to Burbank, and now I’m back at the freelance game.

What is a comic you worked on that you are most proud of?

Too many to decide. I got to work on Batman, Detective Comics, Action Comics, and many of the major titles at DC, but some of the standouts are Watson and Holmes (first book), Human Bomb (first DC), Red Hood and the Outlaws (first regular series).

Who is your dream team to work on a comic with?

That’s hard to say, I’ve already worked with so many people I’ve already wanted to work with. Being a DC letterer let me do so much volume that it’s a who’s who of creators to work with.

What is your typical day in the life of working on a comic?

A lot of alone time. I usually spend about 10-12 hours a day doing stuff for work, be it lettering pages, invoicing, dealing with clients, managing projects, etc. If not for getting up in the morning with my wife and cooking/eating with her when she gets back from work, there wouldn’t be much movement from the desk. That said, you make time, walk the dog, and get the mail, run errands.

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As a letterer, how long does it take to complete a single issue?

On a good day, with no interruptions and an average book, about 8 hours.

What is the process?

Get files, make sure they are correctly formatted, drop the art into the template, and just go through. It’s fairly simple as far as personal process. The actual process of lettering is actually way more involved than most people realize. If you have an interest in it, or just want to understand what the heck your letterer is doing, you can read Lettering the Comicraft Way and the DC Guide to Colouring and Lettering. You need more than the books to become a letterer, but it’s a good start.

Who are your inspirations?

A lot of them are my colleagues, the guys who came before me in the lettering department, like Sal Cipriano, Carlos Mangual, Jared Fletcher, Rob Leigh and those guys, and then there is my friend Joe Caramagna who helped me out in my early days getting started. Nate Piekos is another friend who amazes me and drives me to work harder. Of course, there are also the legends like Todd Klein and Tom Orzechowski, who still bring it, 30 years later.

 What is your dream project?

Probably the main assignment on a book like Batman, or another top-tier title. Definitely the Phantom, and maybe some licensed stuff like Ghostbusters or something like that.

If you could pick anyone to act as your mentor, who would it be?

Sal and Joe are folks I’d actually call mentors.

What is your biggest cringing moment as a letterer?

“It’s easy, I’ll do it myself,” from anyone’s mouth. Comic Sans, not following the rules of lettering, and breaking those rules without understanding them. Basically, anyone who is starting out and thinks it’s easier than it is. Those who actually make comics know it’s one of the harder things to get and value a good letterer. Also, the word “letterist” ::shudder::

polli coffee

What advice would you give to others who may be considering lettering as a profession?

Don’t. (ha-ha) Be serious about it, but understand that there are many of us out there, and only so much work to go around. Lettering is actually one of the hardest things to break into in comics, contrary to what most believe. There are too many good guys, all competing for work, and some companies only use a select group of people, so it’s hard to find work. And especially with lettering rates being on the low end, most letterers take on about 15 books a month, so the work becomes scarce quickly.

What is something you have always wanted to say to a writer but couldn’t before?

Can you not end your balloons with a long word? (ha-ha)

What was it like working for the big one, DC Comics?

Wonderful, easily the best job I ever had in my life. Loved working there and the people were a pleasure to work with. If they hadn’t moved across the country I definitely would have delayed my decision to go back to freelance by a few years.

How can a writer and artist make your job easier?

Honestly, just be aware of the dialogue being put down and the space you are leaving for it. Also, don’t be afraid to edit the dialogue down or change a layout. I mean I usually just go with it because I don’t want to dictate the vision of either one, but sometimes it is a challenge to make it all work. That said, I’m here to work for them and like the challenge, so it’s really a non-issue. Ha-ha

Have you done anything at a convention, as in had a table in artist alley or a booth or been a guest?

I usually do the local shows, but just walk around and visit with friends, or meet folks I’ve worked with, but never spoken to in the real world. Tables aren’t usually a good idea for letterers, as they are costly and I can’t draw/do commissions (ha-ha).

It should be taken 1 hour earlier the sexual viagra online australia activity as well. Spam is a http://greyandgrey.com/spanish/veredictos-y-liquidaciones/ buy generic viagra problem that faces most people with email addresses today. You will be astonished to witness the end results of moving with a planner approach. brand cialis for sale ESPN Deportes — ESPN’s generic tadalafil 5mg 24-hour, Spanish-language sports network in the U.S. will carry the NASCAR Nationwide Series race on a tape-delayed basis beginning at 4 a.m. on Sunday, Feb. 20, at 9 p.m. on ESPN. What was the most memorable fan moment you have had?

I did get to do my first con signing at NYCC though this year for Rosy Press’ Fresh Romance story I did (School Spirit).

How has the industry changed since you first started?

Not much, really. I got in about 10 years ago, and the only real change was digital comics, but it’s been so gradual, I barely noticed the change.

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How do you feel about the change to mainstream thanks to shows like The Big Bang Theory and the movies now in the cinema like Spider-man and Batman vs Superman?

I don’t mind, like any media it needs to evolve. As long as good stories are being told, and the art is great, it’s all good to me. I just like to create, so it’s not a big deal to me.

Fun time:

Who is your favorite comic book character?

 Batman, Joker, Red Hood, Flash, Snake Eyes (probably more)

Who is your favorite author (books)?

Hmm, maybe Orwell, never give it much thought

What is your favorite movie?

On any given day: The Dark Knight, Shawshank Redemption, Godfather, Star Wars OT, Mean Girls, and probably more

What is your favorite band/music artist?

Changes with the day, but I’m mostly good with any 70–90s rock.

What is a quirk you have (like dipping fries into a chocolate Sunday)?

I wipe up all the leftover sauce from the pot with bread, even in front of company (it’s the Italian in me).

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Pick-

Day or night?

 Depends on my mood.

Star trek or Star Wars?

Wars

Coffee or Tea?

Depends on my mood

Summer or Winter?

Summer

Cats or Dogs?

Dogs

Batman or Superman?

Batman

Movies or a Book?

Movies

Pizza or Burgers?

Pizza burgers

Coke or Pepsi?

Pepsi

 For those wanting to see more of Taylor’s work you can find him on FacebookTwitter and Ghost Glyph Studios Twitter

Current project:

Probably this Wednesday, lettering is so much volume, we always have something out.

Artist Alley: Dan Mora

Dan MoraDan Mora is an up and coming artist  with Boom Comics. Coming straight from Hexed, he is now signed on for the up and coming series Klaus.

I have had the wonderful privilege of being able to chat with Dan many times. Now that Hexed is over, I thought this would be a great time to ask a few questions about the Michael Alan Nelson written series:

 

 Tell us a little bit about Hexed.

It was a pretty good book with a wonderful history about a girl who steals magic artifacts.

How did you get into Hexed?

It was my first assignment when I first started to work with BOOM, my editor thought that it will fit with my illustration style.

Who was your favorite character to draw?

The Harlot, she was a spooky crazy lady, it was very fun to draw.

 Was it the character or the story that made you pick that character as a favorite?

It was a little of both, her attitude made me draw her in very strange body language and the design of the creature was always fun to draw.

dan mora 4
Hexed

Did you come up with the concepts of Val and Lucifer based off the older artwork or did you throw your own spin on them?

I tried to stick with the designs of Emma Rios at first, but as time passed I began to add some details about the characters.

Were the images done traditional or digital in Hexed?

Unfortunately, they were all digital.

Do you prefer digital or traditional methods for illustrating comics?

Now that I’m working in the traditional way I can say that I prefer a million times the traditional way.

What inspired you to work in comics?

I always liked the superheroes and it was always in my mind that the perfect job to me would be to become a comic book artist.

What is the piece you are most proud of?

I think Hexed # 8 is my favorite.

dan mora 1
Old drawings from a dead newspaper

What is your typical day when working on a comic?

I wake up, make coffee, then work all morning in my pages, make lunch, more coffee, keep working until the night and at last watch some movie or go out.

How long does it take to do a single page (average 6 panels)?

In a very productive day I can finish two pages both pencils and inks.

Who are your inspirations?

That is a long list! The first names that came into my head are, Bruce Timm, Darwyn Cooke, Paul Pope and Mike Mignola.

 What is the current project you are working on?

Right now I´m working on Klaus, the secret origin of Santa Klaus

dan mora 5
Klaus

What is your dream project?

There are so many dream projects, but I think the one I really really want is to draw some pages for Deadpool.

 If you could pick anyone to act as your mentor, who would it be?

Bruce Timm.

 Have you done anything at a convention, as in had a table in artist alley or a booth or been a guest?

Sadly no, I’m really new in this world.

Have people ever cosplayed your work?

Yes! And it was an amazing sensation!

How has the industry changed since you first started?

Not really much, I’m very new in all this, I just under 2 years.

 

dan mora 2

Fan Requested Questions:

Was drawing the monsters/creatures more interesting than humans with powers?

YES, the estrange forms are always more interesting to draw.
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How did you come up with the Thief outfit design?

I tried to merge the Harlot character with the spirit of Lucifer and then give it some classic design.

Would you keep working on Hexed if you have the chance?

Yes of course, Hexed was amazing and it was such a great experience, I loved to work with Michael and I would do it again without thinking twice.

Fun time:

 Who is your favorite comic book character?

Deadpool or Batman. I don’t really know which to pick.

Deadpool Cowboy by Dan Mora
Deadpool Cowboy

Who is your favorite author(books)?

Mark Millar.

What is your favorite movie?

Back to the Future.

What is your favorite band/music artist?

Don’t have a favorite I think.

What is a quirk you have (like dipping fries into chocolate Sunday)?

I like to eat Ice cream with cola and watch some funny movie.

Pick:

Day or night

Day

Star trek or star wars

Star Wars

Coffee or tea

Coffee one dozen times

Summer or winter

Summer

Cats or dogs

Dogs

Batman or Superman

Batman

Low Tech Batman
Low Tech Batman by Dan Mora

Movies or a book

Movies

Pizza or Burgers

Burgers

Coke or Pepsi

Pepsi

 For those wanting to see more of Dan Mora’s work you can find him on Facebook and Twitter.

 

Next issue release date of current project:

Klaus with Grant Morrison,  Nov 4, 2015.

 

 

 

 

 

GIGA Adventures: New York Comic Con 2013

GIGA ME Staff PicCrash Pad: Geek Memoirs
By: Jacques A. Montemoiño

Far beyond the level of excitement to be expected from such a thrilling event as the New York Comic Convention, is the challenge of trying to accurately express how exhilarating my time there was in “words” but I will do my best.

During my journalism phase, I’ve had the privilege of covering a few local conventions yet I had never been to a New York Comic Con or any comic book convention of this immensity and so I was anxious, nervous, and hopeful all at once.   Even though I am a native New Yorker, I had not been there in many years and the idea that this monolithic convention that was happening in a place I once called home only added to the buzz and anticipation.

I flew out of Atlanta Ga. USA up to LaGuardia airport in New York, NY early arriving midday and was greeted by Ms. Jenkins a company rep holding a sign with my name.  After looking over my itinerary, I settled into my NY branch office and promptly I ventured out to the 2013 New York Comic Convention via the A train; the smell of subway and the all too familiar rocking and rumblings of the train I once road as a young man, filled me with warm memories reminiscent of my youth.  The murmur of the hundreds coupled with the gentle sway almost carried me off in to the sleep realms, yet I fought the urge to get comfortable, lean back, and nod off.   As the downtown bound train got closer and closer to 34th street, I began seeing more and more travelers dressed in very familiar outfits and costumes indicative of one of the geek cultures most prevalent pass-times: cosplay.  I knew I was going in the right direction once Pikachu sat next me.
Off of the public transit, maneuvering through thick crowds, up the stairs and on to the busy sidewalks, I was faced with the Empire State Building and the breezy Manhattan streets.  Only a handful of blocks away from the Jacob Javitz Center, where the convention was being held, the walking slowed to a snail’s pace as hundreds tried to make their way down the narrow sidewalk which was apparently under construction and had partially extended into the streets, only to be sectioned off by a temporary barrier that saved me from sharing my passage with cars.  Four blocks away, then three blocks away, and then finally, two blocks away I hit “pay dirt”.  Off in the distance, I saw the top of the convention center when I looked ahead and then I was completely surrounded by hundreds of Comic Con enthusiasts and cosplayers at ground level of the Center.  IMG_0237The smell of New York franks, Shish kebabs, and Halal food filled my nostrils.  “I should eat before I go in” I reckoned and proceeded to order one of each.

I turned the final corner and beheld the magnificence that summons Geeks from all over to this one location and they came out in mass.

I entered the building, and even at 6 feet 6 inches, I felt miniscule and easily lost in the enormity of the environment aNYCC2013 Resized 6nd the crowds of thousands upon thousands.  Everywhere I looked, there were my favorite super heroes posing for pictures and some even adorable enough to stop me in my tracks, as if I were a young boy who was brand new to this Geek World.

The main show floor was packed with hundreds of exhibitors representing some of the most iconic companies that are cornerstones of our unique sub-culture. Bandai, Nintendo, Warner Brothers, Dark Horse Comics, Intel, as well as a slew of hundreds of independent companies—all privileged to share the floor with such industry giants.  With the crowds almost at a standstill, I tried to get as many images as my Canon 70D could muster. IMG_0206Me, as an extroverted person, engaged with a solid 61% of the exhibitionists I came across and, in one weekend, I gathered cards from representatives from many of the most impressive businesses in attendance including some of the development staff for the new Batman Arkham Origins.  http://www.hdwallpapers.in/walls/batman_arkham_origins_video_game-wide.jpg
I even met two gentlemen from Geek Therapy that were educators and therapists who had been working on utilizing the Geek Culture as a way to help those less fortunate to better their lives.  This was Geek Heaven. As a man involved with many different facets of geek culture myself, it was comforting to see that NYCC had included all of the right ingredients for a tasty stew, including a careful and masterful blend of comics, comic book artists, writers, video games, toys, educators, musicians, cosplayers, custom weapons of various notoriety, a large number of people in the film and media industries, and, oh yeah, hundreds of journalists and press outlets—all things I love and am involved with in 12 Houses Inc.

The greater combustion heat of dust is, http://secretworldchronicle.com/levitra-2585.html free viagra india the smaller the particle will be. It is clear from the onset that discount cialis see this now a large part of total population has this health problem. This catalyst purchase generic viagra http://secretworldchronicle.com/tag/khanjar/ confines the typical blood stream in the penis. Scoliosis can affect any part of the spine, but secretworldchronicle.com online cialis chest and the lower section of the back are the most common areas. IMG_0260Jacques was on a grand adventure that seemed evocative of a hero’s journey.  I was alive and full of wonder and amazement.

Convention goers snapped pictures and stopped every two steps to get a peek at newly released and soon-to-be released indie titles, toys, and technology, all while being unable to “Not” seize every photo-op they could with Hollywood and internet celebrities alike.  At the rate the crowds were moving, walking had been reduced to a shuffle but I didn’t mind; I had Batman on my left and Robin on my right, a stunningly beautiful Wonder Woman ahead.  Random dance battles broke out between super-heroes, one group vs. another, Spider-Man vs. Deadpool, Attack on Titan and Disney characters alike took turns in the cleared center to show off their awesome yet deadly dance moves, ultimately slaying their opponents with Oppen Gangnam style.  IVY DOOMKITTYThere were a number of panels where the creators and producers of almost any Geek related show you could imagine met their fan base and following.  From Buffy the Vampire Slayer to Teen Wolf, lines stretched all the way into the food court.  In my opinion, and from what I personally witnessed, I think the largest crowds I came across were clamoring for a peek at Ivy Doom Kitty and Stan Lee himself.  Stan Lee

Other noteworthy celebrities were also in attendance but they were placed in booths on different floors with lines that stretched narrowly would be the length of a football field, but my time was limited.  I couldn’t wait two hours on-line to see Gillian Anderson, David Duchovny, Hulk Hogan, Felicia Day, and Joel Gray.  As a child of the 80’s, I was super impressed to shake Sgt. Slaughters hand and had the opportunity to let him know that aside from wrestling, I had always wanted to be Red Dog from Sgt. Slaughters Marauders.

IMG_0307It took all four days for me to personally visit and see every part of the Javitz Center’s various floors and sections and with what seemed to me to be tens of thousands convention-goers, I would have gotten lost had I not had an event map and truth be told, I became lost more times than I can count by memory, but I was the happiest lost person you have ever seen.  I tried to stay focused on the production but it’s hard to tell a geek to abstain while he is in the midst of all his preferred vices of choice.  Elation.IMG_0264
I’m consciously trying to “NOT” write a book on my weekend as I feel the urge to go on and on about the experience and all of its multi-faceted aspects, but I’ll exercise restraint and give you a small taste of how great the event was. Aside from the photos in this article, GIGA: Geek magazine and 12th House Media will be sharing all images, and video content gathered by us on this grand voyage and surreal adventure.

Stay tuned all of my GIGA Geeks!

~Jacques A. Montemoiño – “THE GIGA GEEK”
Signature 3

Me at NYCC IMG_0157NYCC2013 Resized 1 NYCC2013 Resized 2 NYCC2013 Resized 3 NYCC2013 Resized 4 NYCC2013 Resized 5 NYCC2013 Resized 9 NYCC2013 Resized 10b IMG_0258 IMG_0267 IMG_0281 IMG_0315 IMG_0359 IMG_0364 IMG_0380 IMG_0471

More images to come!