A few weeks ago, I wrote an article about the latest news from Toho— the studio that created everyone’s favorite kaiju Godzilla—on its upcoming monster epic, Godzilla: Resurgence. A teaser trailer and a poster were released. A mild controversy erupted among fans over Godzilla’s new design, which they described as “lacking personality.” I offered a brief defense, but it should be noted that the only hint at the new design is a close-up of Godzilla’s face on the poster.
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Higuchi has said that Big G will be brought to life using what he calls “hybrid” technology, which is used in the Attack on Titan film. This involves using a combination of CGI and shots of live actors on sets. In other words, Toho aims to combine the best of both worlds from its “suitmation” history and Gareth Edwards’ reboot. I, being a fan of both, look forward to seeing what Toho produces. Although, there has yet to be a domestic release date announced for Godzilla: Resurgence.
Gareth Edwards’ Godzilla proved to be a monstrous hit summer 2014, and now the King of the Monsters will return to his native Japan. Toho, the studio that created Big G, announced last December that it would be making a new unrelated film, which makes this the third reboot for the franchise excluding the American films. It’ll be the 31st Godzilla film and the 29th created by Toho, which hasn’t released one since 2004’s Godzilla: Final Wars.
News on the new film was quiet until last week when Toho released a 30-second video that is the textbook definition of a teaser trailer. Not since Christopher Nolan’s first trailer for The Dark Knight has there been a more mysterious preview for a film.
The 30-second spot is a found-footage-style shot of a panicked crowd running from something in the distance. It ends with a title card and Godzilla’s trademark roar. That’s it; nothing on the plot or characters. Whether the entire film will be done in a found-footage-style, a la Cloverfield, or if this is just a clip from an otherwise traditional movie remains to be seen. Personally, while found footage would be a new direction for the franchise to experiment with, considering Cloverfield’s attempt at it has gotten mixed responses (though I liked it), that may not be the best option. However, if these filmmakers think they can do it well, by all means try it.
The poster for the film that revealed Godzilla’s new design.
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Story has it the special effects will be a combination of CGI and practical effects. It sounds like Toho wants the best of both worlds: taking cues from Edwards’ film while also adhering to its “suitmation” roots. Whether this works or not will probably make or break the film.
Regardless, the movie is in great hands since it has two noteworthy directors. Hideki Anno, who also wrote the script, is the co-creator of the classic anime Neon Genesis Evangelion: a trippy and cerebral giant robot series that deconstructs the “mecha” subgenre. Shinji Higuchi has also worked on anime, but his most recent project is directing the two-part live-action adaptation of the manga/anime Attack on Titan, which told the story of humanity battling cannibalistic giants. Anno has said that this will be “the scariest Godzilla yet,” and given both directors’ track records, it may very well turn out to be true.
Godzilla: Resurgence hits Japanese theatres July 29, 2016. No word yet on an American release.
Attack on Titan swept across the world like the titular Titans in their assault on humanity. Soon, Mikasa, Eren and Armin became household names to anime fans everywhere. Conventions filled with Survey Corps members, all clad in tan and white, their green cloaks draped over their shoulders. It’s a phenomenon that has spurred one season of anime (season two set to be released in the second half of 2016), countless manga spin offs, a live action film series, video games and merchandise.
Group cosplay is especially epic with this series. Image courtesy of breakbang.com.
The first of these two films sum up about the first ten or so episodes of the anime. It tells the story of the first assault on the farming district and caps off after a fellow titan offers a bleak ray of hope for the world.
Fans of seeing anime faithfully recreated with all the details intact may not enjoy this version of Attack on Titan. The creators of the live-action film decided to give their own spin to the story and the characters, making vast changes to even the main cast. Even though these changes are painful to followers of the series or manga, they do have a uniqueness that adds to the overall impact the series has established.
The faces of the Titans will probably haunt my dreams for a few weeks. They hold a wrongness about them.
First of all, all of the major themes of the anime are intact. Humanity meets its demise face to face as the Colossal Titan kicks a hole in the impenetrable wall. The smaller titans swoop in, scooping up people, and crunching on their bones. Gore sprays in waves in this film, making the iconic brutality of Attack on Titan that much more intense. The titans feel less like monsters and more like Japanese horrors with uncanny faces and movements.
Eren shows his determination, feeble as it may be, to destroy the titans.
Lastly, unbridled rage remains in the character of Eren. He clashes with his fellow soldiers, wanting nothing more than to eradicate every titan for taking what he holds dear. His anger manifests in several ways throughout the film, keeping that theme firmly intact. All while being contrast with his fear of the titans, seeing their strength firsthand.
As for the differences, I’ll do my best to elaborate on some of the major ones without ruining the fun of the movie, but you may get a spoiler or two if you haven’t seen the anime.
Super uncomfortable scene, but shows the differences in this version of Mikasa.
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Where’s our blonde strategist? Let’s play “Where’s Armin?”
Another major change to characters is that of Sasha, the spunky, energetic member of Eren’s squad. She’s portrayed in a way that exaggerates her infamous “Potato Girl” scene to the point of it being obnoxious. Sasha of the film is more of a nuisance than comedic relief, as she disgustingly gobbles up any food she can get her mitts on. She does seem to have a better connection to Armin though, which is quite cute. However, it’s hard to tell the difference between Armin and Eren due to Armin’s recent choice in hair dye.
Hiana, a character new for the film, leads Eren deeper into the abandoned cities. What they find is a bit bigger than they hoped. . .
The style of this live action adaptation—adaptation being a crucial keyword here—while different from the source material, is still rather enjoyable. I found myself cringing much more through this bloody adventure, but there are many epic moments with the flair I’ve come to love from the series. One scene in particular shows Eren and Hiana searching for a baby’s cry, turning the movie into a dark, scary experience as they hold interestingly designed lanterns aloft. Combining moments of horror like this one with the visual style put into the titans themselves makes for a scarier story.
The film’s final act fits one of the high points of the anime quite well. Eren’s rage for the titans brings him to make a sacrifice, only to have his anger live on in a devastating way. This scene is still as adrenaline filled as the first time I saw it in animated form. Each piece of action hits hard, fast, unexpected to make for a great climax.
The visuals sometimes feel like late Godzilla or Gamera films.
Of course, this movie is broken into two parts, with a sneak peak at the end of this one. It’ll be interesting to see how the second part plays with the second season of the anime. I’ll definitely have to check it out soon.
Step into the Attack on Titan Live-Action movie with an open mind. This is a different version of the Attack on Titan story, themes, and style, not a mirror image of the anime with actors.
The film is available in English subtitles through importation on sites like Amazon, while an English dub is surely to show up in the future.
Let me just start by saying I’m a little excited, you know why? Ash vs. The Evil Dead started Halloween weekend and it’s nothing short of fantastic, nostalgic, and had me absolutely enthralled. I don’t usually laugh or cry at what I watch, but I absolutely busted out at this series. Let me teach you a few things today; some groovy things.
In case you didn’t know about the evil dead (not the female-ash version) then shame on you! Get out there and watch The Evil Dead trilogy; there is a lot of Bruce Campbell’s glory there that you are missing. Anyway, here is a quick run-down of the story. A man and his friends spend the night in a cabin; they also find a strange book that happens to be bound in human skin and written in blood. This is the Necronomicon, which summons the evil dead, thanks to Ash and his friends. Ash gets tossed into the thick of it, cuts off his own hand, replaces it with a chainsaw, gets tossed into the past and sleeps until he’s back in his own time (or to some he “overslept” and went into a terrible desolate future). It’s simple to say it’s a crazy trip, and that Ash is an absolute idiot, this series is super corny, but badass none the less.
The series is three episodes in right now and I’m very excited about each of them. The old musician, Joseph LoDuca, is back, Sam Rami is the director again, the deadites are creepy as ever and Ash wants nothing to do with it, at first. He ends up taking up the role of El Jefe (The Boss) and gets two odd allies in Pablo and Kelly (I feel like they are Ash, but split into two people). Ash jacks up the same type of store he did before. At this point he’s even killed his old boss, tossed on the old attire that has the complete chainsaw hand option, and is being his old slick self. The series starts off with Ash talking a lady at the bar into some bathroom fun. This went awkward really fast once a deadite showed its face in the lady . . . just watch it. Women these days are free shipping viagra exploring their sexuality distinctively. However, such soft pill cialis allopathic remedies create lot of health problems. Every dose of Kamagra contains 100mg Sildenafil citrate that relaxes the muscles around the male genital part prices for cialis to cause an erection. That is the reason, all the users are feeling comfort in using buy levitra online that generic medicine, Kamagra.
Pablo and Kelly are really getting a lot of my attention in this show too: Kelly, a young able-bodied lady who makes a short show of Ash at work, armed with whatever she can get her hands on; Pablo who apparently came from Honduras “New Jersey,” with some Uncle Abrujo issues, where he learned the stories of El Jefe, armed with his bottle (his hobo knife or busted glass bottle for stabbing). This is such a dysfunctional trio, and it makes you crawl with anticipation to see them all interact. This is the kind of combination that gets me into the story. The stuff that makes me want to move around and not sit still cause it’s too hard not to watch, and too hard to not feel like I am going to miss something spectacular.
I really enjoy the campy flair of the show so far. It has all the old glory of Evil Dead, and the silly aspects of Bruce Campbell I have come to love over the years. The fight sequences have the over the top slow motion and really strange deadite lines that are dumb, but so creepy. If you are in the mood for some horror with a mix of comedy, then definitely check this out. Be warned, there is a lot of blood, almost Quentin Tarantino-esq.
P.S. Who is this Fisher lady, and why does she only want to shoot Ash? She seems as dense as he is in some ways.
Fan films, as I have discovered before, can capture what makes these honored franchises so special. Metroid: The Sky Calls is a short film by Rainfall Films. The film portrays Samus in way that kind of heals the wounds left by Other M. Rainfall also does a great job of keeping space mysterious, with more focus on the locale than the action.
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